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Froberger: The Strasbourg Manuscript (2CD)
 
9,00 €
 
Formát:
CD
 
 
Dostupnosť:
7-14 dní
 
 
Katalógové číslo:
2952131
 
 
EAN kód:
761203975020
 
 
Autori:
Johann Jakob Froberger
 
 
Interpreti:
Ludger Rémy
 
 
Vydavateľ:
CPO
 
 
Zoznam skladieb
Ludger Remy (harpischord)

Disk 1 von 2
Suite für Cembalo Nr. 12

1

1. Allemande
2
2. Gigue
3
3. Courante
4

4. Sarabande

Suite für Cembalo Nr. 3 e-moll

5

1. Allemande commé Wasserfall
6
2. Gigue
7
3. Courante
8

4. Sarabande

Suite für Cembalo Nr. 2 d-moll

9

1. Allemande
10
2. Courante
11
3. Sarabande
12

4. Gigue

Suite für Cembalo Nr. 5 g-moll

13

1. Allemande faite à l'honneur de Madame Sibylle Duchesse de Wirtemberg
14
2. Gigue nomée la philotte
15
3. Courante
16

4. Sarabande

Suite für Cembalo Nr. 11 a-moll

17

1. Allemande
18
2. Gigue
19
3. Courante
20

4. Sarabande

Suite für Cembalo Nr. 4 F-Dur

21

1. Allemande
22
2. Gigue
23
3. Courante
24

4. Sarabande

Suite für Cembalo Nr. 6 a-moll

25

1. Allemande
26
2. Courante
27
3. Sarabande
28

4. Gigue

Disk 2 von 2
Suite für Cembalo Nr. 9 D-Dur

1

1. Allemande
2
2. Gigue
3
3. Courante
4

4. Sarabande

Suite für Cembalo Nr. 1 c-moll

5

1. Allemande
6
2. Gigue
7
3. Courante
8

4. Sarabande

Suite für Cembalo Nr. 8 d-moll

9

1. Allemande
10
2. Gigue
11
3. Courante
12

4. Sarabande

Suite für Cembalo Nr. 7 g-moll

13

1. Lamento: Adagio con discretione
14
2. Courante
15
3. Sarabande
16

4. Gigue

Suite für Cembalo Nr. 8 G-Dur

17

1. Allemande repraesentans monticidium frobergeri
18
2. Gigue
19
3. Courante
20

4. Sarabande

Suite für Cembalo Nr. 10 e-moll

21

1. Allemande
22
2. Courante
23
3. Sarabande
24

4. Gigue

Suite für Cembalo Nr. 14 A-Dur

25

1. Allemande
26
2. Courante
27
3. Sarabande
Popis
A few years ago, a fortunate coincidence brought to light a manuscript that appears unspectacular, but in reality represents a music-historical sensation: The so-called Strasbourg manuscript of 1675 with 14 suites by Johann Jacob Froberger, undoubtedly the most important composer of music for harpsichord in the German-speaking world around the middle of the 17th century. This manuscript was largely written by one Michael Bulyowski, a Slovak who came to Germany around 1670, was a musician on the one hand and a scholar and pedagogue on the other. The great importance of this manuscript - apart from its not to be underestimated function of helping to fill a gap, and apart from some interesting and illuminating readings - lies in the fact that it shows how a lover of Froberger's music dealt with it: he patiently collected it, added fingerings and ornaments (or took them over from his source), completed each suite with a (Froberger) gigue where he did not find one, and so on. If we can see in the Saxon State and University Library in Dresden how a musician of the 17th century approached such an undertaking, then thanks to this cpo premiere recording we can hear how Froberger (perhaps) might have sounded in Strasbourg at that time, especially since we have been able to win over Ludger Rémy, an interpreter who, like no other in the world, has transformed the cosmos of Froberger's music both technically and intellectually-philosophically. An absolute star hour!
 
 
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