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Airs and Graces: Scottish Tunes and London Sonatas
 
18,00 €
 
Formát:
SACD
 
 
Dostupnosť:
dodacia doba 7-28 dní
 
 
Katalógové číslo:
1595
 
 
EAN kód:
7318599915951
 
 
Autori:
Francesco Geminiani, Georg Friedrich Händel, Johan Helmich Roman, John Stanley, traditional
 
 
Interpreti:
Dan Laurin, Parnassus Avenue
 
 
Vydavateľ:
BIS
 
 
Zoznam skladieb
Geminiani:


Sonata in C major for cello and basso continuo, Op. 5, No. 3

Handel:


Sonata in B minor for flute and continuo, HWV376 'Halle III'

Minuetto from Sonata in E minor for flute and continuo, HWV375 'Halle II'

Roman:


Sonata X in E minor for flute and basso continuo, BeRI 210

Stanley, J:


Solo IV in B minor from Op. 4, for flute and basso continuo

trad.:


Lord Aboynes welcome or Cumbernault house

Clout the Cauldron

O Waly, Waly ('The Water is Wide')

Lochaber

Fy gar rub her o’er with straw

Busk ye busk ye Bonny Bride

The Flowers O’the Forest

Dumbarton's Drums

Logan Water





Dan Laurin (recorder)
Popis
London in the early 1700’s offered a dazzling mix of virtually every European musical style. The recent union between England and Scotland led to an increased cultural exchange, and English audiences were entranced by the rhythms and colours of the traditional tunes of Scotland. Various collections, such as the settings by the recorder virtuoso Francesco Barsanti, were published and even Handel could not resist a few turns at the hornpipe in his Water Music. This state of affairs is reflected in the present mix of four baroque sonatas, by composers associated with London in various ways, and nine Scottish tunes in arrangements based on the Barsanti settings. This imaginative programme is characteristic of the approach adopted by Parnassus Avenue, an ensemble which is constantly challenging ‘baroque standards’: according to Parnassus Avenue there is no ‘early’ music, just a never-ending ‘now’. In lending a John Stanley Adagio the same melancholy expressivity as the mournful Waly waly, and applying the same virtuosity to the hypnotic Clout the Cauldron as to a Handel Allegro, Dan Laurin and his colleagues also demonstrate that there are no genres, only one seamless musical whole.
 
 
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