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Brahms: Lieder
 
15,00 €
 
Formát:
CD
 
 
Dostupnosť:
na sklade / dostupné okamžite
 
 
EAN kód:
198028973526
 
 
Autori:
Johannes Brahms
 
 
Interpreti:
Christian Gerhaher , Gerold Huber
 
 
Vydavateľ:
SONY Classical
 
 
Zoznam skladieb
Dátum vydania: 16. 5. 2025

1 Sehnsucht op. 14/8
2 Der Überläufer op. 48/2
3 Vor dem Fenster op. 14/1
4 Von ewiger Liebe op. 43/1
5 Vom verwundeten Knaben op. 14/2
6 Der Gang zum Liebchen op. 48/1

Neun Lieder und Gesänge op. 32
7 Nr. 1 Wie rafft' ich mich auf in der Nacht
8 Nr. 2 Nicht mehr zu dir zu gehen
9 Nr. 3 Ich schleich umher
10 Nr. 4 Der Strom, der neben mir verrauschte
11 Nr. 5 Wehe, so willst du mich wieder
12 Nr. 6 Du sprichst, dass ich mich täuschte
13 Nr. 7 Bitteres zu sagen, denkst du
14 Nr. 8 So stehn wir, ich und meine Wide
15 Nr. 9 Wie bist du, meine Königin

"Regenlied" Zyklus (Frühfassungen von op. 59/3, 8, 7 & 4)
16 Walle, Regen, walle nieder
17 Dein blaues Aauge hält so still
18 Mein wundes Herz
19 Regentropfen aus den Bäumen

20 Nr. 4 Meine Lieder op. 106/4
21 Nr. 3 Geheimnis op. 71/3
22 Nr. 2 Die Mainacht op. 43/2
23 Nr. 4 Auf dem Kirchhofe op. 105/4
24 Nr. 3 O kühler Wald op. 72/3
25 Nr. 1 Treue Liebe op. 7/1
26 Nr. 7 Herbstgefühl op. 48/7
27 Nr. 2 Lerchengesang op. 70/2
28 Nr. 1 Die Kränze op. 46/1

29 Regenlied (Regentropfen aus den Bäumen) WoO 23
Popis
With their new Brahms album on Sony Classical, Christian Gerhaher and his pianist Gerold Huber are back as leading Lied interpreters of our time. On their new album "Brahms: Lieder", recorded live at the Reitstadel Neumarkt, Christian Gerhaher and his long-time duo partner Gerold Huber do not deal with the song oeuvre of the great Romantic composer for the first time - their debut album in 2002 already contains the "Vier ernste Gesänge" op. 121, and their version of the "Romanzen aus L. Tieck's Magelone" op. 33 was released in 2017. For the first time, however, they focus on individual songs and cycles that bear witness to Johannes Brahms' intensive efforts to create a new "folk tone". Embedded in the social developments of the 19th century, Brahms attempted here to establish the art song as a reflection of his imagined history, as a memory and image of a naturalness that was disappearing - very similar to the ambivalence between tradition and progress that can be felt in his instrumental works. As always, Gerhaher and Huber lend these songs a new perspective in their interpretation in an ideal interplay of text and music. The recorded works include the exemplary cycle of "Neun Lieder und Gesänge" op. 32 and the posthumously published and rarely heard reconstructed early version of the "Regenlied" cycle on poems by Klaus Groth, as well as well-known songs such as "Sehnsucht" and "Von ewiger Liebe". The introductory text is by Laurenz Lütteken, one of the most renowned musicologists of our time.
 
 
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