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Beethoven: Overtures & Wellington's Victory (SACD)
 
13,00 €
 
Formát:
SACD
 
 
Dostupnosť:
7-14 dní
 
 
Katalógové číslo:
555302-2
 
 
EAN kód:
0761203530229
 
 
Autori:
Ludwig van Beethoven
 
 
Interpreti:
Cappella Aquileia, Marcus Bosch
 
 
Vydavateľ:
CPO
 
 
Zoznam skladieb
Beethoven: Egmont, Op. 84 (Adapted S. Knies)

Cappella Aquileia
Marcus Bosch

Overture

Vernommen habt ihr die Töne

Frederic Böhle

Beethoven: Egmont, Op. 84 (Adapted S. Knies)

Raffaela Lintl (soprano)
Cappella Aquileia
Marcus Bosch

I. Die Trommel gerühret

So freue dich, denn kurz ist alle Freude

Frederic Böhle

Beethoven: Egmont, Op. 84 (Adapted S. Knies)

Cappella Aquileia
Marcus Bosch

II. Entracte I

Die List des Herzog Alba, den aus Spanien

Frederic Böhle

Beethoven: Egmont, Op. 84 (Adapted S. Knies)

Cappella Aquileia
Marcus Bosch

III. Entracte II

Freudvoll und leidvoll. Das ist das Los des Lebens und der Liebe

Frederic Böhle

Beethoven: Egmont, Op. 84 (Adapted S. Knies)

Raffaela Lintl (soprano), Frederic Böhle
Cappella Aquileia
Marcus Bosch

IV. Freudvoll und leidvoll, gedankenvoll sein

V. Entracte III

Umgarnt vom Netz des schlauen Jägers

Frederic Böhle

Beethoven: Egmont, Op. 84 (Adapted S. Knies)

Cappella Aquileia
Marcus Bosch

VI. Entracte IV

O Clärchen! Treues Herz!

Frederic Böhle

Beethoven: Egmont, Op. 84 (Adapted S. Knies)

Frederic Böhle
Cappella Aquileia
Marcus Bosch

VII. Clärchens Tod bezeichnend

VIIIa. Melodrama

VIIIb. Ja, führt sie nur zusamme

VIII. Siegessymphonie

Beethoven: Coriolan Overture, Op. 62

Cappella Aquileia
Marcus Bosch

Beethoven: Consecration of the House Overture, Op. 124

Cappella Aquileia
Marcus Bosch

Beethoven: Zur Namensfeier overture, Op. 115

Cappella Aquileia
Marcus Bosch

Beethoven: Wellingtons Sieg, Op. 91, Pt. 1

Cappella Aquileia
Marcus Bosch

Die Schlacht

Beethoven: Wellingtons Sieg, Op. 91, Pt. 2

Cappella Aquileia
Marcus Bosch

Sieges-Symphonie
Popis
The compositions on this CD, broadly considered, are connected with Beethoven’s efforts on behalf of the theater, and they also attest to his desire to compose for the larger public without having to lower his standards. The center here is formed by his music for Goethe’s Egmont. The Dutch Count Egmont failed in his resistance against the tyrannous rule of the Duke of Alba and was executed. The decisive factor in Beethoven’s choice of this subject must have been that Goethe himself assigned a dramaturgically important role to music above all at the end of his play, and in his composition Beethoven followed these pretextual givens to the letter. When Egmont, in prison prior to his execution, sees the vision of his beloved Klärchen as the personification of liberty, then Egmont’s words and the musically designed vision join together in a melodrama. The CD also includes three overtures and Wellington’s Victory, in which Beethoven combines the older tradition of the 'battaglia', the musical depiction of a battle, with victory pathos. Its effect lies not so much in the masterful treatment of the musical material itself as in the development of a spatial dimension for a realistic battle scene and in the big sound overpowering the listener, in short: in its theatrical character. During Beethoven’s lifetime it was his most successful composition.
 
 
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