Let's start this month's releases with a sensation: the re-recording of Arnold Schönberg's third and last opera nude Von heute auf morgen under the direction of Michael Gielen. The production, which took place in October 1996, was certainly without precedent in terms of duration and intensity in the practice of today's music productions: it was created hand in hand with the third Schönberg film by Jean-Marie Straub and Daniele Huillet. The film was and will be shown in the . ARD television programs, played at the Schleswig-Holstein Festival 97, in cinemas in Germany and especially in France. In Paris he ran for many weeks and caused considerable public attention The Parisian magazine "La Quinzaine litteraire" put it in a nutshell "overnight is a unique case in the history of cinema. Never before has a film been shot under live conditions, that is to say, working consistently in the presence of the entire orchestra, which was forced to repeat with it the singers, twenty or more of the 1,200 bars or so of the score for each of the 62 or so shots of the film, always with the same claim to perfection " The perfection with which Michael Gielen has managed to impress everyone involved with the ludicrously difficult score of this 12-tone Relationship history is breathtaking, though: Christine Whittlesey, Richard Salter, Claudia Barainsky, Ryszard Karczykowski and the Frankfurt RSO have the reference photograph of this work is submitted