Katalógové číslo:
8.573893
Autori:
Antonio Maria Bononcini, Arcangelo Corelli, Francesco Gasparini, Heinrich Ignaz Franz Biber, Johann Georg Pisendel, Nicola Matteis Jr., Nicola Matteis Sr., Pedro Lopes Nogueira, Pietro Antonio Locatelli, Thomas Baltzar, William Corbett
Interpreti:
Augusta McKay Lodge
Vydavateľ:
NAXOS, NAXOS Laureate Series
1 Matteis Jr., Nicola: Alia Fantasia
Nogueira, Pedro Lopes: Prelude and Fantezia in F fa ut
2 Prelude
3 Fantezia
4 Locatelli, Pietro Antonio: L'arte del violino: Violin Concerto in C Minor, Op. 3, No. 2: III. Capriccio
Baltzar, Thomas
5 The Division Violin: No. 13. Prelude in G Major
6 Allemande in C Major [Oxford, Bodleian Library, MS Mus. Sch. F. 573, fol. 29v]
7 Sarabande in G Minor [Oxford, Bodleian Library, MS Mus. Sch. F. 573, fol. 11v]
8 The Division Violin: No. 34. Prelude in G Major
Nogueira, Pedro Lopes: Prelude and Fantezia in G fa ut
9 Prelude
10 Fantezia
Matteis Jr., Nicola: Fantasia in C Minor
11 I. Con discretione
12 II. Molto adagio
13 Biber, Heinrich Ignaz Franz von: Select Preludes or Volentarys for the Violin: Prelude in D Major (ed. J. Walsh)
14 Gasparini, Francesco: Select Preludes or Volentarys for the Violin: Prelude in D Major (ed. J. Walsh)
15 Bononcini, Antonio Maria: Select Preludes or Volentarys for the Violin: Prelude in D Minor (ed. J. Walsh)
16 Matteis Sr., Nicola: Select Preludes or Volentarys for the Violin: Prelude in A Major (ed. J. Walsh)
17 Corbett, William: Select Preludes or Volentarys for the Violin: Prelude in A Major (ed. J. Walsh)
18 Corelli, Arcangelo: Violin Sonata in A Major, Op. 5, No. 6: III. Allegro (ed. J. Walsh as Select Preludes or Volentarys for the Violin: Prelude in A Major)
Pisendel, Johann Georg: Violin Sonata in A Minor
19 I. —
20 II. Allegro
21 III. Giga
22 IV. Variatione
23 Biber, Heinrich Ignaz Franz von: Mystery (Rosary) Sonatas: Passacaglia in G Minor
Though Bach’s set of six Sonatas and Partitas represents the pinnacle of writing for the solo violin, the Baroque repertoire was rich in compositions for the unaccompanied violin, much of which remains little explored. On this recording Augusta McKay Lodge, hailed as ‘the real thing, a true virtuoso’ (Seen and Heard), explores masters of the genre such as Biber, Locatelli and Pisendel but delves deeper to include the impassioned works of Nicola Matteis, the Franco-Italian warmth of Thomas Baltzar and a series of other long-overshadowed works by their contemporaries.