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Vierne: Complete Organ Music (8CD)
 
35,00 €
 
Formát:
CD BOX
 
 
Dostupnosť:
7-14 dní
 
 
Katalógové číslo:
96398
 
 
EAN kód:
5028421963983
 
 
Autori:
Louis Vierne
 
 
Interpreti:
Wolfgang Rubsam
 
 
Vydavateľ:
BRILLIANT CLASSICS
 
 
Zoznam skladieb
Disk 1

1
Louis Vierne: Pièces en style libre, Op. 31 livre I: I. Préambule
2
Louis Vierne: Pièces en style libre, Op. 31 livre I: II. Cortège
3
Louis Vierne: Pièces en style libre, Op. 31 livre I: III. Complainte
4
Louis Vierne: Pièces en style libre, Op. 31 livre I: IV. Épitaphe
5
Louis Vierne: Pièces en style libre, Op. 31 livre I: V. Prélude
6
Louis Vierne: Pièces en style libre, Op. 31 livre I: VI. Canon
7
Louis Vierne: Symphony No. 1 in D Minor, Op. 14: I. Prélude
8
Louis Vierne: Symphony No. 1 in D Minor, Op. 14: II. Fugue
9
Louis Vierne: Symphony No. 1 in D Minor, Op. 14: III. Pastorale
10
Louis Vierne: Symphony No. 1 in D Minor, Op. 14: IV. Allegro vivace
11
Louis Vierne: Symphony No. 1 in D Minor, Op. 14: V. Andante
12
Louis Vierne: Symphony No. 1 in D Minor, Op. 14: VI. Final

Disk 2

1
Louis Vierne: Symphony No. 2 in E Minor, Op. 20: I. Allegro
2
Louis Vierne: Symphony No. 2 in E Minor, Op. 20: II. Choral
3
Louis Vierne: Symphony No. 2 in E Minor, Op. 20: III. Scherzo
4
Louis Vierne: Symphony No. 2 in E Minor, Op. 20: IV. Cantabile
5
Louis Vierne: Symphony No. 2 in E Minor, Op. 20: V. Final
6
Louis Vierne: Triptyque, Op. 58: II. Communion
7
Louis Vierne: Triptyque, Op. 58: I. Matines
8
Louis Vierne: Triptyque, Op. 58: III. Stèle pour un enfant défunt
9
Louis Vierne: Symphony No. 3 in F-Sharp Minor, Op. 28: I. Allegro maestoso
10
Louis Vierne: Symphony No. 3 in F-Sharp Minor, Op. 28: II. Cantilène
11
Louis Vierne: Symphony No. 3 in F-Sharp Minor, Op. 28: III. Intermezzo
12
Louis Vierne: Symphony No. 3 in F-Sharp Minor, Op. 28: IV. Adagio
13
Louis Vierne: Symphony No. 3 in F-Sharp Minor, Op. 28: V. Finale

Disk 3

1
Louis Vierne: Allegretto in B Minor, Op. 1
2
Louis Vierne: Communion, Op. 8
3
Louis Vierne: Pièces en style libre, Op. 31 livre I: VII. Méditation
4
Louis Vierne: Pièces en style libre, Op. 31 livre I: VIII. Idylle mélancolique
5
Louis Vierne: Pièces en style libre, Op. 31 livre I: IX. Madrigal
6
Louis Vierne: Pièces en style libre, Op. 31 livre I: X. Rêverie
7
Louis Vierne: Pièces en style libre, Op. 31 livre I: XI. Divertissement
8
Louis Vierne: Pièces en style libre, Op. 31 livre I: XII. Canzona
9
Louis Vierne: Symphony No. 4 in G Minor, Op. 32: I. Prélude
10
Louis Vierne: Symphony No. 4 in G Minor, Op. 32: II. Allegro
11
Louis Vierne: Symphony No. 4 in G Minor, Op. 32: III. Menuet
12
Louis Vierne: Symphony No. 4 in G Minor, Op. 32: IV. Romance
13
Louis Vierne: Symphony No. 4 in G Minor, Op. 32: V. Final
14
Louis Vierne: Verset fugué sur ‘in exitu Israël’

Disk 4

1
Louis Vierne: Marche triomphale du centenaire de Napoléon I, Op. 46
2
Louis Vierne: Pièces en style libre, Op. 31 livre II: XIII. Légende
3
Louis Vierne: Pièces en style libre, Op. 31 livre II: XIV. Scherzetto
4
Louis Vierne: Pièces en style libre, Op. 31 livre II: XV. Arabesque
5
Louis Vierne: Pièces en style libre, Op. 31 livre II: XVI. Choral
6
Louis Vierne: Pièces en style libre, Op. 31 livre II: XVII. Lied
7
Louis Vierne: Symphony No. 5 in A Minor, Op. 47: I. Grave
8
Louis Vierne: Symphony No. 5 in A Minor, Op. 47: II. Allegro molto marcato
9
Louis Vierne: Symphony No. 5 in A Minor, Op. 47: III. Tempo di scherzo ma non troppo vivo
10
Louis Vierne: Symphony No. 5 in A Minor, Op. 47: IV. Larghetto
11
Louis Vierne: Symphony No. 5 in A Minor, Op. 47: V. Final

Disk 5

1
Louis Vierne: Pièces en style libre, Op. 31 libre II: XVIII. Marche funèbre
2
Louis Vierne: Pièces en style libre, Op. 31 libre II: XIX. Berceuse
3
Louis Vierne: Pièces en style libre, Op. 31 libre II: XX.Pastorale
4
Louis Vierne: Pièces en style libre, Op. 31 libre II: XXI. Carillon sur la sonnerie du carillon de la chapelle du château de longpont (Aisne)
5
Louis Vierne: Pièces en style libre, Op. 31 libre II: XXII. Élégie
6
Louis Vierne: Pièces en style libre, Op. 31 libre II: XXIII. Épithalame
7
Louis Vierne: Pièces en style libre, Op. 31 libre II: XXIV. Postlude
8
Louis Vierne: Symphony No. 6 in B Minor, Op. 59: I. Introduction et allegro
9
Louis Vierne: Symphony No. 6 in B Minor, Op. 59: II. Aria
10
Louis Vierne: Symphony No. 6 in B Minor, Op. 59: III. Scherzo
11
Louis Vierne: Symphony No. 6 in B Minor, Op. 59: IV. Adagio
12
Louis Vierne: Symphony No. 6 in B Minor, Op. 59: V. Final

Disk 6

1
Louis Vierne: Messe basse, Op. 30: I. Entrée
2
Louis Vierne: Messe basse, Op. 30: II. Introït
3
Louis Vierne: Messe basse, Op. 30: III. Offertoire
4
Louis Vierne: Messe basse, Op. 30: IV. Élévation
5
Louis Vierne: Messe basse, Op. 30: V. Communion
6
Louis Vierne: Messe basse, Op. 30: VI. Sortie
7
Louis Vierne: Messe basse pour les défunts, Op. 62: I. Introït
8
Louis Vierne: Messe basse pour les défunts, Op. 62: II. Prélude
9
Louis Vierne: Messe basse pour les défunts, Op. 62: III. Offertoire
10
Louis Vierne: Messe basse pour les défunts, Op. 62: IV. Élévation
11
Louis Vierne: Messe basse pour les défunts, Op. 62: V. Communion
12
Louis Vierne: Messe basse pour les défunts, Op. 62: VI. Défilé
13
Louis Vierne: Prélude funèbre, Op. 4
14
Louis Vierne: 3 Improvisations: I. Cortège
15
Louis Vierne: 3 Improvisations: II. Marche épiscopale
16
Louis Vierne: 3 Improvisations: III. Méditation

Disk 7

1
Louis Vierne: Pièces de fantaisie suite No. 1, Op. 51: I. Prélude
2
Louis Vierne: Pièces de fantaisie suite No. 1, Op. 51: II. Andantino
3
Louis Vierne: Pièces de fantaisie suite No. 1, Op. 51: III. Caprice
4
Louis Vierne: Pièces de fantaisie suite No. 1, Op. 51: IV. Intermezzo
5
Louis Vierne: Pièces de fantaisie suite No. 1, Op. 51: V. Requiem aeternam
6
Louis Vierne: Pièces de fantaisie suite No. 1, Op. 51: VI. Marche nuptial
7
Louis Vierne: Pièces de fantaisie suite No. 2, Op. 53: I. Lamento
8
Louis Vierne: Pièces de fantaisie suite No. 2, Op. 53: II. Sicilienne
9
Louis Vierne: Pièces de fantaisie suite No. 2, Op. 53: III. Hymne au soleil
10
Louis Vierne: Pièces de fantaisie suite No. 2, Op. 53: IV. Feux follets
11
Louis Vierne: Pièces de fantaisie suite No. 2, Op. 53: V. Clair de lune
12
Louis Vierne: Pièces de fantaisie suite No. 2, Op. 53: VI. Toccata
13
Louis Vierne: Pièces de fantaisie suite No. 3, Op. 54: I. Dédicace
14
Louis Vierne: Pièces de fantaisie suite No. 3, Op. 54: II. Impromptu

Disk 8

1
Louis Vierne: Pièces de fantaisie suite No. 3, Op. 54: III. Étoile du soir
2
Louis Vierne: Pièces de fantaisie suite No. 3, Op. 54: IV. Fantômes
3
Louis Vierne: Pièces de fantaisie suite No. 3, Op. 54: V. Sur le rhin
4
Louis Vierne: Pièces de fantaisie suite No. 3, Op. 54: VI. Carillon de Westminster
5
Louis Vierne: Pièces de fantaisie suite No. 4, Op. 55: I. Aubade
6
Louis Vierne: Pièces de fantaisie suite No. 4, Op. 55: II. Résignation
7
Louis Vierne: Pièces de fantaisie suite No. 4, Op. 55: III. Cathédrales
8
Louis Vierne: Pièces de fantaisie suite No. 4, Op. 55: IV. Naïades
9
Louis Vierne: Pièces de fantaisie suite No. 4, Op. 55: V. Gargouilles et chimères
10
Louis Vierne: Pièces de fantaisie suite No. 4, Op. 55: VI. Les cloches de Hinckley

Popis
Organ works account for only 17 of Vierne’s 62 opus numbers, and yet no one would now question his status as the organ’s greatest symphonist after Franck and Widor. His six symphonies stand at the pinnacle of the 20th-century literature for the instrument: the six-movement First Symphony with its fugue and celebrated Final (‘my Marseillaise’, as he referred to it); the Second, his masterpiece, with its scintillating scherzo; the Third, the shortest and most concise; the Fourth, whose tortured outer movements are in sharp contrast to the buoyant Menuet and sumptuous Romance; the Fifth, the longest, and in many respects the most elevated; his Sixth and last, the most harmonically advanced and psychologically complex, rising from the depths of despair to ebullience in its rampant Final. In complement to the symphonies, Vierne composed several suites of pieces ‘in a free style’, as wekk as more impressionistically conceived sets of fantasy pieces. Music specifically designed for the llturgy includes a pair of organ masses – one of them a requiem – and a triptych of meditations. Whether reflective and deeply etched with chromaticism or ebullient and thunderous, all of Vierne’s output for his own instrument is conceived with the sound and tonal variety of Cavaillé-Coll’s organ’s in mind – one of the largest of all being the organ at Notre Dame in Paris, where Vierne occupied the post of titular organist for many decades. The German-American organist Wolfgang Rübsam has himself been counted among the finest living organists for many decades, internationally known through over a hundred highly acclaimed albums of organ repertoire from the Baroque and Romantic periods including recent Bach recordings on the lute-harpsichord for Brilliant Classics: ‘These lovely performances memorably showcase Rübsam’s sensitive and poetic side’ (Classics Today). Rübsam has chosen an instrument with the full palette of tonal colours required to do justice to Vierne’s unique style, and he invests the music with the improvisational spirit and creative passion which lay behind its original conception. Louis Vierne (1870-1937) is one of the most important French romantic composers for the organ. He used the instrument as a means to perform ‘symphonic’ music, inspired by the new possibilities of the new organs built at the time, for instance by Aristide Cavaillé-Coll. The blend of styles in his organ music is unique. It contains aspects of Romanticism combined with an impressionistic ‘pastel-like’ quality. Like many of his contemporary colleagues Vierne felt a strong fascination with Wagnerian chromaticism. An admirer and pupil of César Franck at thirty, the virtually blind Vierne was appointed organist at the Paris Notre Dame. Among many other pieces for organ he wrote six symphonies, which became standard organ repertoire. Franck inspired him in the use of cyclical elements and harmonic refinement, whereas Widor’s influence is clear in the use of the organ and the classical forms. This recording contains the complete organ works by Louis Vierne, including the 6 Organ Symphonies and numerous character pieces called “Pièces en style libre” (pieces in a free style). Wolfgang Rübsam is internationally known through over a hundred highly acclaimed recordings of organ repertoire from the Baroque and Romantic periods including recent Bach recordings on the lute-harpsichord. He gives frequent recitals and masterclasses in the United States and Europe and has served on the juries of the most prestigious international competitions.
 
 
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